The Egyptian Museum History Information


 

Khufu was the second king of Dynasty 4 of the Old Kingdom. We know very little about him, in spite of the fact that he built the most famous tomb in the ancient world, “The Great Pyramid”, one of the Seven Wonders of the World.

The Turin Papyrus mentioned that he ruled for 23 years after the reign of his father Snefru. His real name was Khnum-Khufwy, which means “the god Khnum protects me”, and Khufu was his nickname.

Khufu planned that his son Kawab would be his heir. Kawab was a scribe and he wanted to be like his grandfather Senefru who was described by the Egyptians as a cultured and wise king. But Kawab died during the reign of his father.

Khufu’s mother was Queen Hetep-heres I, who according to Reisner’s theory was buried at Dahshur and her equipment moved by her son to a shaft at Giza. But Lehner and the author suggest that she was originally buried in the subsidiary pyramid G1a while her funerary equipment was moved during the First Intermediate Period by loyal priests to the nearby shaft. Khufu married Queen Merey-it-es, who was buried in G1b. He also married Queen Henutsen who is buried in G1c.

According to Reisner and Smith, after the death of Khufu, the royal family was divided into three branches. The first was headed by Khufu’s main queen who was the mother of DjedefHor and Buefre, who never succeeded to the throne. The second was headed by the mother of DjedefRe who took the throne after his father and ruled for eight years. The third branch was headed by the mother of Khafre.

The most important achievement of Khufu was building the great pyramid at Giza plateau. There were 13 architectural components attached to his pyramid. The royal family was buried in tombs and pyramids to the east and the officials were buried to the west of the pyramid. Recently the cult pyramid was discovered to the south-east of Khufu’s tomb. The program of the pyramid complex was designed in his reign and continued to be used until the end of the Old Kingdom.

The building of the Great Pyramid can provide us with important insights into the reign of Khufu. From the political side, it shows how Khufu controlled the wealth and the population of the country. He organized households all over Egypt into participating in the building of the pyramid, and providing the king with food (grain and beer), and with laborers. This organization reveals that the pyramid was the national project of the nation.

From the architectural point of view, the pyramid shows the skills and the brilliance of the overseer of all the king’s work along with his architects. It also demonstrates the Egyptian achievements in science, astronomy, art, and mathematics which were necessary for the building of that great tomb.

The pyramid project must have been a tremendous socializing force in the early Egyptian kingdom, with young conscripts from hamlets and villages far and wide departing for Giza. There, they would enter their respective gangs, phyles and divisions in scenes reminiscent of the most dramatic cinematic spectacles of Cecil B. De Mille.
The pyramid project involved tremendous organization of the work-force, and food, water, and beer supplies. It shows the social organization and the administration skills necessary for organizing such a work force. Recently, we discovered the site of the town of the pyramid builders. The discovery includes the support facilities, residential areas and cemeteries of the workers who created and maintained the pyramid.

The name of Khufu and his pyramid is always attached to a popular notion that the pyramid was built by slaves. But that was not the case, because the workers built their own tombs near the pyramid of Khufu, and prepared their tombs for eternity like nobles and officials. They were also paid by the king, or worked instead of paying tax. Finally, slaves could have built a building larger than Khufu’s pyramid, but could never create such an innovative work like the Great Pyramid. This pyramid indicates that they were proud to build the tomb of their great god.
Khufu used the granite quarry in Aswan, basalt from the oasis, and white fine limestone from Tura. The name of Khufu has been found written in the alabaster quarry at Hatnub. Two tablets bearing his name have been found in the Sinai. His name has also been found in Bubastis. It has also been inscribed on a temple at Byblos (Lebanon), which might imply that he sent an expedition there to bring back cedar wood that was used in the construction of his boats which were found in 1945 on the south side of his pyramid. Finally, his name was found written in the western desert to the north of Abu Simbel and northwest of Toshka, where they took the diorite to be used in the statues. There is very little evidence of Khufu in connection with other gods, except his small statuette found in building K in the temple of Khentiulmentiu at Abydos, and his name was also found on vessels in the temple of Horus at Nekhen.

The Westcar Papyrus that dates to the Middle Kingdom consists of popular tales about Khufu. The Egyptians described him sitting with his family listening to stories about their ancestors and the miracles that happened in the past. They also depicted him sending his son to bring the magician Djedi and relate to us a beautiful dialogue between a common man and a king. The most important point in these tales is that Khufu could not obtain information from Djedi about the mysterious document of Thoth that could help him to build his sepulchral chambers in the pyramid.

It the late period (26th Dynasty), Khufu was worshipped as a god – his name was found written on scarabs and names of two 26th Dynasty priest have been found who were, at that time, in charge of maintaining his cult.

To the east of the pyramid of Queen Henutsen the inventory stela was found, which mentions that Khufu found the temple of Isis beside the sphinx. Based on the writing style and scenes of gods, Egyptologists have dated the text to the Late Period.

Herodotus also said that Khufu closed the temples of the gods and forbade the Egyptians to present offering to gods other than himself, and was generally considered an unpopular king for the Egyptians. Manetho also relates that Khufu did not respect the gods and that he wrote a sacred book and that he (Manetho) obtained a copy of it. The Late Period tales and stories describe the king’s reputation and reveal how the Egyptians transferred stories and news about him throughout the pharaonic period.

There is a new theory that might explain the reason for all these stories. It seems that Khufu appointed himself as Re during his lifetime. There is much evidence to support this theory (Hawass: 1994). This would explain the reason for all the bad publicity about Khufu both in terms of cruelty and impiety.

The most remarkable points in his reign are the king’s office becoming divine kingship, and the complex family relationship can be deduced through the large tombs located near the king.

Khufu was remembered by the Egyptians throughout pharaonic history, and many tales were told about him. Even today the spiritual aspect of the pyramid and its builder touches our hearts and causes us to make a plaintive futile cry for immortality.


The Second Pyramid History Information


Khafre (2576-2551 BCE), fourth King of the fourth dynasty, Old Kingdom. The son of Khufu, Khafre (or Khephren to the ancient Greeks) is best known as the owner of the second pyramid at Giza.

As with the other Kings of that dynasty, written records that date to his reign are scarce; even information on family relationships and the lengths of individual reigns at that time may often be conjectural. Two of his wives are known: Meresankh II, the daughter of his brother Kawab, and his chief wife, Khamerernebty.

His eldest son, Menkaure, builder of the third pyramid at Giza, succeeded him. Two other sons are recognized: Nikaure and Sekhemkare. His daughter Khamerernebty II became Menkaure’s chief queen. Khafre succeeded his brother, Djedefre, who had ruled for eight years. Ideologically, Khafre continued Djedefre’s promotion of the cult of the sun god re by using the title “ the Son of the Sun” for himself and by incorporating the name of the god in his own.

Khafre built his pyramid at Giza next to that of his father. His pyramid complex has survived better than many others, in part because of the innovative construction method of using massive core blocks of limestone encased in fine lining slabs. The whole complex served as a temple for the resurrected god-King after his funeral, with statues incorporated into the design of both the mortuary and valley temples. There exist emplacements for more than fifty-four large statues of the King. None of the statues from the mortuary temple has survived, and it has been suggested that they were recycled in the New Kingdom.

All the lining slabs were also removed in antiquity, and with them any inscription and reliefs; only the megalithic core blocks remain. Khafre’s valley temple, however, is one of the best preserved from ancient Egypt, Fragments of several statues of the King were discovered there, including the famous statue of the King seated on a lion throne with the falcon of the Horus behind his head, reflecting the belief that the King was a living incarnation of the god. Each of the two entrances to this temple were once flanked by a pair of sphinxes 8 meters (26 feet) long.

The only remaining inscriptions in the building are around the entrance doorways; they list the King’s names and titles, those of the goddess Bastet (north doorway), and those of Hathor (south doorways). Recent work in front of the valley temple has revealed the location of a ritual purification tent and two ramps with underground tunnels that extend toward the valley.

Next to the valley temple, the Great sphinx lies inside its own enclosure. Its position next to Khafre’s causeway and certain architectural details indicate that it was an integral part of the pyramid area; that colossal lion statue with the head of the King, carved out of a sandstone outcrop, represents Khafre as the god Horus presenting offerings to the sun god. From the eighteenth dynasty forward, the Sphinx was a symbol of Kingship and place of pilgrimage; and a small chapel was erected between its paws.

Political events of Khafre’s reign can be deduced only from scant archaeological remains and rare inscriptions, which show that his workmen were exploiting the diorite quarries at Toshka in Nubia and that expeditions were sent to Sinai. His name was found on a list of other fourth dynasty Kings at Byblos, implying diplomatic and commercial links.

Like his father Khufu, Khafre was depicted in folk tradition as a harsh, despotic rule: His pyramid complex was used as a quarry in the late New Kingdom, and the lining slabs and statues were removed to adorn other temples and royal establishments. By the Late period, however; the cults of the fourth dynasty kings had been revived, and Giza had become a focus for pilgrimage.


The Smallest Pyramid History Information


Menkaure is the son of Khafre and the grandson of Khufu of Dynasty IV. He bore the titles Kakhet and Hornub. There are doubts that Menkaure could be the son of Khafre, because the Turin Papyrus mentioned a name of a king between Menkaure and Khafre, but the name was smashed. A Middle Kingdom text written on a rock at Wadi Hamamat includes the names of the kings: Khufu, Djedefre, Khafre, Hordedef and Bauefre. This text indicates to some that Hordedef and Bauefre ruled after Khafre.

But it seems that their names were not written as kings because Menkaure’s names were not mentioned. It has been suggested that Hordedef’s name was mentioned because was a wise educated man in this period and perhaps Bauefre was a vizier.

He built the smallest pyramid at the Giza plateau, and is called “Menkaure is Divine.” The pyramid is remarkable because it is the only pyramid in Dynasty IV that was cased in 16 layers of granite, Menkaure planned to cover the surface with granite but he could not because of his sudden death.

The pyramid complex of Menkaure was completed by his son and successor Shepseskaf but the temples has architectural additions which were made during Dynasties V and VI. This suggests that the cult of Menkaure was very important and perhaps differed from the cults of Khufu and Khafre.

At the pyramid’s entrance, there is an inscription records that Menkaure died on the twenty-third day of the fourth month of the summer and that he built the pyramid. It is thought that this inscription dates to the reign of Khaemwas, son of Ramsses II. The name of Menkaure found written in red ochre on the ceiling of the burial chamber in one of the subsidiary pyramids.

H. Vyse found a basalt sarcophagus and inside it a skeleton of a young woman. The sarcophagus was lost in the Mediterranean between ports of Cartagena and Malta when the ship “Beatrice” sank after setting sail on October 13, 1838. We still have the lid from the wooden anthropoid coffin found inside the pyramid which bears the name and titles of Menkaure.

Menkaure’s main queen was Khamerernebty II, who is portrayed with him in a group statue found in the Valley Temple. It is believed that she is buried in Giza.

Shepseskaf completed the pyramid complex of his father with mudbrick and left an inscription inside the Valley Temple indicating that he built the temple for the memory of his father.

Menkaure ruled for 18 years. There are two inscriptions found in his pyramid complex. The first was a decree bearing the Horus name of Merenre of Dynasty VI. The decree stated that the Valley Temple was in use until the end of the Old Kingdom. The objects found in some of the storage rooms of the temples show that the king’s cult was maintained and that the temple had a dual function as a temple and a palace.

The second decree of Pepi II was found on the lower temple vestibule, awarding privileges to the priests of the pyramid city. In the adjacent open court and in the area just east of the temple lie the remains of the Old Kingdom houses. Pepi II’s decree indicates that these houses belonged to the pyramid city of Menkaure. Here lived the personnel responsible for maintaining the cult of the deceased king.

The statuary program found inside the complex displays the superb quality of arts and crafts. The triads in Menkaure’s valley temple suggest that his pyramid complex was dedicated to Re, Hathor, and Horus. In addition, they show the king’s relationship with the gods and are essential to his kingship, indicating both a temple and palace function.

The textual evidence indicates that the high officials had more privileges in his reign that in any other period. They had many statues in their tombs; the inscriptions and the scenes increased and were set on rock-cut tombs. In the tomb of Debhen an inscription was found describing the kindness of Menkaure.

When Debhen came to visit the king’s pyramid, he asked the king for permission to build his tomb near the pyramid. The king agreed and even ordered that stones from the royal quarry in Tura should be used in building his tomb. The text also mentions that the king stood on the road by the Hr pyramid inspecting the other pyramid.

The name “Hr” was also found written in the tomb of Urkhuu at Giza, who was the keeper of a place belonging to the Hr pyramid. It is not clear what the Hr pyramid is. Is it a name of a subsidiary pyramid, or the name of the plateau? The Debhen texts is a revelation of f how the king tried to inspire loyalty by his people giving them gifts.

Menkaure also had a new policy – he opened his palace to the children of his high officials. They were educated and raised with the king’s own children. Shepsesbah is one of those children. The textual and archaeological evidence of the Old Kingdom indicates that the palace of the king was located near his pyramid and not at Memphis. Menkaure explored granite from Aswan and he sent expeditions to Sinai. Excavations under the author revealed a pari of statues of Ramses II on the south side of Menkaure’s pyramid. The statues were made of granite, and one represents Ramses as king whiles the other as Atum-Re.

The name of Menkaure was found written on scarabs dated to the 26th Dynasty, which may imply that he was worshipped in this period.

Herodotus mentioned that Menkaure died suddenly and added that there was an oracle from the Buto statue that foretold that he would live for 6 years. Menkaure started to drink, and enjoy every moment of his remaining years. However, Menkaure lived for 12 years, thus disproving the prophecy. Herodotus also said that his daughter committed suicide. The Greek historian also wrote that the Egyptians loved Menkaure more than his father and grandfather. The Late Period tales were based on Menkaure’s reputation during the Old Kingdom. He ruled with justice, gave freedom to his officials to carve statues and make offerings, and stopped the firm rules.

E1-Makrizi, the Arab historian named Menkaure’s pyramid as the colored pyramid because of the red granite casing.


Sphinx History Information


Any conservation campaign that is undertaken on the Sphinx now or in the future must heed the lessons of the past. This reasoning underlies the present efforts to document the history of conservation on the Sphinx. Only with a clear understanding of what has transpired in the precinct over the years–indeed from the time of the earliest restoration by Thutmosis IV in 1400 BC through the interventions of the 1980s, and right up to the present change of policy–can we comprehend the current state of affairs direction. In my opinion most of the conservation campaigns in the past were conceived as stop-gap solutions, with no long-term strategy in mind for protecting the Sphinx. Some of these temporary measures even damaged the Sphinx more than benefited it. This section will outline and review the five phases of conservation from 1400 BC through 1987, and then describe the work in progress in the current (1989-present) campaign.

Phase I of the Sphinx’s Conservation :

Thutmosis IV and other New Kingdom (18th- 19th Dynasties) :

Evidence for Thutmosis IV’s campaign is preserved in the so-called dream Stele he erected between the two paws of the Sphinx in ca. 1400 BC. According to the story he inscribed in the Stella, prince Thutmosis went hunting in the Valley of Gazelles southeast of the Sphinx. The Sphinx spoke to him in a dream and asked the prince to free him from the sand. The Sphinx (Hor-em-Akht) offered in return the crown of Upper and Lower Egypt.

From this story we know that the Sphinx was buried up to its neck in sand by 1400 BC.

The implication of the Thutmosis stela is that he freed the monument from the sand and thereby became pharaoh. Indeed, Thutmose IV’s commitment to the Sphinx would explain the revival of cultic practice focusing on the Sphinx during that king’s reign.

As mentioned above, the Sphinx became an important focus for a popular and royal cult under the name Hormakhet, “Horus in the Horizon,” a combination of the god of kingship, Horus, and the sun god Re.

The archaeological record confirms that Thutmosis did indeed free the Sphinx of sand. Mudbrick walls, inscribed with the name of this king, survive in remnants in the precinct. The very fact that Thutmosis built these walls suggests that Thutmosis IV excavated the Sphinx and also cleared completely the sand as Baraize did centuries later in 1926.the walls would have afforded a barrier against the elements and halted reburial in the sand with regard to the matter of the dream Stela itself. There is also a second element to Thutmosis IV’s campaign of conservation. This concerns the course of limestone blocks facing the core. It seems likely to me that the weaker part of the mother rock was probably further damaged when the Sphinx was restored in the 18th-Dynasty 1200 years after its original carving. When the 18th- Dynasty excavators uncovered the Sphinx, I believe they found a situation much like that found by Baraize in the course of his excavations, when he cleared the statue completely for the first time for the Egyptian Antiquities Service in 1926. In Baraize’s case, the sand had buried the statue nearly to the top of its back. As his men hauled away the sand and debris that had accumulated over the ages, they found many large and small restoration blocks that had gradually fallen off the curves of the lion’s body, down to about one third the height of the north side of the body, and to about two thirds the height of the body on the south side. Baraize simply took many of these stones, including the large ones of the phase I restoration, and cemented them back into place on the Sphinx’s body.

Thutmosis IV’s workmen seem to have done something very similar. On the upper part of the body we found old kingdom blocks, of the same quality used to face the causeway of Khafre, reset against a badly weathered old kingdom core. As the dream Stela of Thutmosis IV shows that this was the first time that the Sphinx ever spoken and hence won its freedom from the sand, it is clear that there was plenty of time between Chaffer and Thutmosis IV, i.e, 1119 years at least, for the old kingdom casing stones to have fallen off, and for the weak stone of the Sphinx body to have weathered to the condition that we see it under the phase I restorations of the upper Sphinx body. This weak stone weathers very quickly even today in a process of flaking and powdering that leaves freshly fallen stone flakes and dust at the base of these layers in the side of the Sphinx ditch.

Therefore, Thutmosis IV’s activities (phase 1 of conservation) consisted of the following

1) After clearing away the sand in the precinct, he built the protective mud brick walls around the Sphinx to protect it from wind and sand.
2) He discovered that the Sphinx was damaged and that the old kingdom stones were falling down. He put them back in their original places, and may have commissioned more.
3) He brought a granite stela from Aswan and inscribed the story known as the dream story.

To Ramesses II may be attributed the two stelae between the two front paws of the Sphinx and the other artifacts inscribed with his name that were found there. The existence of these objects suggests that he may also have engaged in restoration activities at the Sphinx, such as replacing some of the fallen stones that had been restored by Thutmosis IV. Ramses’s son, Kha-em-wase, known as the first Egyptologist and restorer, may also have restored the sphinx in the same manner as his father. The Turin papyrus mentions that workmen in the time of Ramesses lI took stone for Hor-m-mn-nfr. Some scholars have recognized in this name the Sphinx’s name Horoun, one of the names used in the New kingdom to refer to the Sphinx. Artifacts attributed to other kings, e.g., Ay, Horemheb, Seti I, and Merenptah, have also been discovered in the area of the Sphinx, but there is no evidence to suggest these kings sponsored any restorations of that great monument.

Phase II of the Sphinx conservation: Saite period (500 BC) :

In 1853 A. Mariette found the so-called Inventory Stela, or, the so-called Stela of the daughter of Cheops (Khufu). It was found on the east side of the pyramid of GIC, located on the east side of the great pyramid and dated to the 26th Dynasty. The stela indicates that the Sphinx was repaired in this period. To this period may be attributed the major layer of restoration masonry on the upper part of the Sphinx’s body on the south side. This layer, composed of smaller slabs than those of the Old Kingdom, was laid over the earlier (phase I) layer of Thutmosis, the surface of which was cut away in phase II, however, for fitting the new stones. It is important to note here that the restorers did not remove the Old Kingdom stones from the Sphinx. The Saite restoration also focused on the Sphinx’s tail and on the (nemes) headdress. The Egyptians of this period may also have painted the Sphinx. There is no evidence, however, of any excavations around the base of the Sphinx in this period. Even Herodotus is silent on the Sphinx, suggesting that it was at least partially obscured with sand.

Phase III of the Sphinx Conservation: Roman period (30 BC-end 2nd century AD) :

The ancient sources attest that the Sphinx was in the Roman period again freed from the sand. For example, the people of Busiris, a village located at the foot of the Khufu pyramid, left a stela in honor of Nero and the Governor, Claudius Babillus. We know also that the Sphinx in the Roman period was a popular gathering place. The Egyptians apparently came to sit by the Sphinx and the place was highly romanticized.

The Sphinx even served as the backdrop for the performance of plays. These literary references, plus the nature of the Roman restorations, indicate that the monument was in full view.

The Roman restorations consisted of a layer of protective stones applied to the paws and two sides of the Sphinx. These stones were recorded and planned by Mark Lehner (from the Oriental Institute) in the photogrammetric map that was made in 1979.

These stones were applied directly over the old kingdom courses; smaller stones were used as necessary to retain the modeling and proportions of the Sphinx. In addition.

the floor of the Sphinx sanctuary was paved during the Roman period. This phase of work can be considered as the largest restoration effort in history.

Our studies of the Sphinx indicate that old kingdom stones placed on the Sphinx were respected by subsequent generations of restorers. They may have been considered sacred. As in the case of their Saite predecessors mentioned above, the Roman restorers did not remove the old kingdom stones from the Sphinx. The layers of the Roman period are composed of small brick-sized stones that were placed on the top of, not in the place of, the old kingdom stones and later casing. The fact that the Roman restorers did not violate the original stones suggests they considered these venerable, older stones sacred.

Phase IV of the Sphinx conservation: Baraize (1925-1936) :

Many centuries ensued before the next phase of conservation was undertaken, this time by Emile Baraize. For almost eleven years Baraize cleared the area around the Sphinx to free it from sand. The dimensions of these undertakings had their only precedents in the reign of Thutmosis IV in 1400 BC and in the Roman period. This is made particularly clear by Baraize’s records, which are comprised of notes and 226 photographs.

Baraize’s restoration program(phase IV)and its consequences are summarized as follo..

1) Baraize’s clearing operations revealed that the old kingdom stones returned to their original positions by Thutmosis were again falling down. The records show that a crack located at top center divided the Sphinx into two parts. The head was in bad condition. A large passage, the size of which is indicated by the workmen standing in it, was open on the north ridge. Baraize restored the head with cement, for at the time it was deemed necessary for the protection of the head. But since we now know from the UNESCO investigations that the upper part of the Sphinx is relatively strong, it is now desirable to reverse this work. The cement restoration of the head is not good and obscures the impressiveness of the Sphinx. Therefore, one suggests that Baraize’s restoration of the head be reversed.

2) Baraize closed the northern passage with masonry. It would be of advantage to open it in order to view the interior of the lion’s body and take samples. The northern side of the Sphinx is a big problem, as the deterioration of the casing stones here is in a more advanced state.

3) Baraize restored the crack on the top of the Sphinx with cement and replaced the old kingdom stones.

4) He also restored many other parts on the Sphinx, which were recorded by Lehner in 1979. Baraize’s work can be seen now on the left and right shoulder of the Sphinx and on the southern shoulder where he restored a fallen chunk from the mother rock.

Also parts on the southern, northern, and the back of the lion body were restored.

However most of Baraize’s restorations have been taken out and restored with the new method currently in use on the south side (see phase VI of the Sphinx conservation).

Phase V of the Sphinx conservation: Egyptian Antiquities Organization (1955-1987) :

Phase V as described here consists of a series of sporadic restorations carried out by the Egyptian Antiquities Organization’s restoration department in 1955, 1977,1979, and 1982-1987. There was no over-arching plan of work, nor was the conservation work that was completed recorded or photographed. The workmen were mainly doing work without any supervision by an architect or conservator. As a result, this work did not help for preservation the Sphinx.

In 1955 a temporary restoration work was done on the Sphinx, primarily in the areas that very thin layers of limestone in the area of the chest had started to flake off.

Restorers began to inject the chest with a chemical substance. The injection was done only in the surface layer of the chest. Two months later, this layer began to fall down and we still have this problem.

In September 1979, the architecture department of the Egyptian Antiquities organization (EAO) began restoration on the northern side of the Great Sphinx. This work was carried out by workmen working with only monthly supervision by the architect. The workmen started to add new stones to the north side while simultaneously taking the earlier stones out. Some of the stones taken out were ancient, and others belonged to Baraize’s restoration. Unfortunately, the workmen used mortar which consisted of cement and gypsum, a formula well-known even at the time to be harmful to the monuments. When it was discovered that this was the case, the work was suspended.

In October 1981 veneer stones began falling off the north hind paw of the Sphinx.

This alarming event did not go unnoticed by the press. The newspapers called attention to the increasingly dilapidated condition of the Sphinx and demanded a change in the EAO. Hence, many experts from the Faculty of Archaeology and other institutions initiated studies on the Sphinx. Research on the water table and pollution, and analyses of mortar and stone were conducted. However, none of the findings and recommendations forthcoming from these studies were ever applied in practice to the Sphinx.

In 1981-1982, the newly formulated Sphinx committee met to discuss the conservation needs of the Sphinx. These discussions led to their unfortunate decision to remove the Roman stones and apply large stones on the Sphinx. These stones, which remain today, are similar neither to the pharaonic nor the Roman stones. The reasoning underlying the use of such visually incongruent stones was that little mortar was required in this procedure.

The architect of the Egyptian Antiquities Organization directed the restoration program from 1982-1987. The biggest problems in this phase of the work are the following:

1) They did not use the mortar recommended in the scientific report but instead used a very large amount of cement and gypsum. Furthermore, they put the mortar directly on the mother rock.

2) Again, the workmen had no supervision from any member of the Sphinx committee. The architect in charge came personally only rarely to the site.

3)The large stones used in the restoration completely obscured the modeling and the proportions of the Sphinx. This casing was applied on the south paw, north paw, the northern side, the back, the tail, the masonry boxes, the Roman stairs, the Sphinx sanctuary, and the back paw of the northern side. All these places look completely new and strange.

4) Rather than given priority to the weak areas, such as the shoulders and the top of the haunches, this effort focused attention on cosmetic renovations. These latter were in fact done badly. The “restoration” consisted merely of removing stones and mortar and replacement works. They also added buttresses of stone and mortar (again, cement and gypsum) over the mother rock of the Sphinx on the rump, north, and part of the south side.

5) They removed all the ancient stones that were added to the Sphinx in the phase III restoration. These stones were never recorded or saved in storage.

6) The Giza branch of EAO, whose personnel were at the time best equipped to supervise the work, was not permitted to have a role in over-seeing the work.

7) A wall was built on the north side which, among other things, completely obscured the modeling of the Sphinx’s shoulder. This was wholly unwarranted archaeologically; it is based purely on imagination rather than evidence.

The results of this type of work on the Sphinx were: 1) The Sphinx body could not tolerate such a huge amount of mortar (cement and gypsum). The mother rock of the Sphinx could not “breathe” and began to push the newly applied stones out. This was especially the case on the back of the northern paw and the area of the tail.

2) Deterioration and salt started to appear on the new stone. The salt problem appeared even during the work on the back northern paw. To counteract this deterioration they covered this area with mud.

3) The workmen cut the claws that had been carved in the stone by the ancient Egyptians.

All these reasons led to the suspension of work in November 1987.

In February 1988, a chunk of limestone on the southern shoulder of the Sphinx fell off. The weakness of this part had long been known. Indeed it was restored initially by Baraize and it is obvious in all the Sphinx photographs that this area needed attention. yet, no reparations had been carried out in this area during the 1982-1987 activities. The media made a case of it and the Sphinx became a political issue as also had happened in the reign of Thutmosis IV in 1400 BC and in 1981 when veneer stones fell off the north hind paw of the Sphinx.

Phase VI of the Sphinx conservation (1989-present) :

Since it was uncovered by Baraize in 1926 the Sphinx has been under siege from many elements. These are:
1) The rising water table.
2) Vibrations emanating from aircraft and vehicular traffic, especially buses, in the immediate vicinity of the area.
3) People living around the Sphinx, in particular the villagers of Nazlet-el-Samman and Kafr-el-Gebel. The population of the former has now reached 200,000.
4) The leaking of waste water from nearby villages which lack sewage containment systems.
5) The modern construction of the Sound and Light show installation and the cutting of the tunnels for cables.
6) Climatic factors, such as rain and fluctuations in humidity and temperature.
7) Modern technology, such as factories near the monument and the resulting pollution.
8) The practice of utilizing stop-gap and harmful methods of conservation, restoration, particularly those using cement and gypsum on the mother rock of the Sphinx’s lion body.
on the mother rock of the Sphinx’s lion body.
Since 1988 many foreign experts have come to the Sphinx to investigate and offer solutions to these problems. All have agreed that the new casing stones and the cement should be taken off immediately.
In 1989 a Sphinx committee, consisting of appointees from different divisions of the EAO and from Egyptian universities, was established under the late DR. Sayed Tawilk, the chairman of the E.A.O. To whom we owe a great deal of thanks, the support and the effort of Mr. Farouk Hosni, the Minister of Culture was very important for the success of the project. In addition, the late Sayed Tawilk and the author, among others, appointed a group of specialists who were to work on the site.
The team used the elevations and plans that had been produced in 1979 by the American Research Center in Egypt, Sphinx project and that of the German Institute as guides to begin restoring the contours of the Sphinx as they existed prior to 1982-88 interventions.
The project was divided into three phases. The first, which is currently drawing to a close, has consisted of carrying out many scientific studies as well as doing restorations work in select areas.
The areas include the southern paw, the southern side of the Sphinx, and the tail. In this work both the photogrammetric map of the Sphinx project and the old Baraize photographs have been used as a basis directing reconstruction. The old large stones and cement were all removed and the mother rock was treated. New stones were chosen from a quarry at Helena after analysis had shown it was consistent with the limestone of the mother rock. Rather than use thin facing slabs that would require lots of mortar, we elected to use whole blocks of stones, placed end first against the mother rock and laid in overlapping courses; this system, the norm in brick laying, interlocks the stones and permits ease of replacement. The mortar was made of lime and sand mixed in proportions of 1:3. The mixture was allowed to stand in plastic bags for 10-15 days to allow for maximum congealment. In this first phase also the chest was given a protective course of limestone on the sides matching the construction techniques of the original.

The scientific studies associated with the first phase of our current campaign have yielded many important insights toward the future conservation needs of the Sphinx. The outcome of studies on the level of the water table carried out by the National Research Institute of Astronomy and Geophysics is of particular interest: the studies show the water level is now seven meters below the base of the Sphinx. This is down five meters from the situation that prevailed for at least 50 years. The drop in the water table may be a consequence of the new sewage system that the Egyptian government constructed in the last two years in the village of Nazlet el-Samman.

A major concern about the strength of the head and neck was also alleviated through a diagnostic examination of the Sphinx by a team from UNESCO. This work was done under B. Changneaud and A. Bouineau. One of the results that the head of the Sphinx, is the strongest part.

This phase of conservation has secured an improvement in the Sphinx’s environment as a result of another study by the National Research Institute of Astronomy and Geophysics, this one of the seismic waves emanating from blasting activities at quarries in the vicinity. These waves were determined to be of potential hazard to the Sphinx. Therefore, based on recommendations from this study, limits were placed on the size of the blasts, and schedules were established to space out the detonations so as to prevent overlapping. Recording stations were set up in the Sphinx complex to monitor compliance with these restrictions.

In May 1990 the Getty Conservation Institute of the United States installed a solar- powered monitoring station on the back of the Great Sphinx designed to measure such potentially destructive environmental factors as wind, precipitation, relative humidity, and condensation. Data collected thus far indicate the strong, sand-bearing northwest wind as the principle source of wind erosion. They also indicate that moisture in the atmosphere, reacting on a daily basis with salts contained in the limestone, contributes at least in part to the surface flaking of the Sphinx.

Samples of rock taken from the Sphinx and surrounding outcrops were analyzed by the Petroleum Research Institute in Cairo, permitting composition analyses

Petrography and x-ray diffraction analyses indicate, among other things, that the uppermost layers of the Sphinx are composed of marly limestone, the heterogeneous nature of which contributes to decomposition. The lower parts, on the other hand, are composed of fossiliferous limestones which, while harder and more compact, raise other conservation concerns. Analysis of the data is on-going and one looks forward to the full publication of the results in the near future.

The center of Archaeological Engineering has submitted to EAO a plan for the next two phases of conservation. These will include recording, sampling, and protecting the Sphinx from the environment. The second phase is scheduled to start September 1, 1992. Areas selected for attention are the chest and northern side of the Sphinx.

Issues include the question of whether to inject the chest with a chemical substance to stabilize it or to cover it with stone to protect it from wind erosion. Both these alternatives must be carefully considered.

The four-day multidisciplinary symposium held in Cairo, February 29-March 3, 1992, under Dr. Farouk E1 Baz as president of the conference and Dr. Gaballah Aly Gaballah as Egyptological advisor, brought together ninety scholars and specialists to review and discuss the results of recent scientific applications in the assessment of conservation needs of the Great Sphinx. Scientists, historians, geologists, chemists, artists, and environmentalists addressed many of the issues involved in developing a global plan for conserving the Sphinx. There were also useful discussions of the progress in the most recent phase (1989-present) in the long history of conservation of the Sphinx and its future directions. More importantly, however, was the demonstrated willingness of Egyptian scholars to openly discuss the Sphinx issue, which has long been a source of heated political and scholarly debate in their own country. Collaborative receptiveness to criticism and their frank invitation to Collaborative research is perhaps the single most important step towards saving this precious monument. It is a clear admission that the Great Sphinx is a world heritage and not that of Egypt alone. Indeed, a worldwide response is now needed to face the enormous challenge that lays ahead.

Phase II of the Modern Sphinx Restoration :

This phase was very important because the Sphinx’s north side had the following:

1- Large stones had been placed that do not match those of the Old Kingdom or Roman period.

2- Three meters of cement were put on this side.

3- Salt began to appear on the left paw.

4- Stones started to move from north side because of pressures caused by the fact that the cement prevented the limestone from breathing.

5- The proportions of that side were completely lost because of faulty restoration.
We started to mechanically remove the new stones and cement.

Then Mahmoud Mabrouk the sculptor began to do the modeling with large stones similar to the pharaonic period (New Kingdom).

Meanwhile the conservation of the upper part of the body was continued by our restoration.

Documentation of all the work was done by the architects and the archaeologists.

Phase III of the Sphinx Restoration :

This phase is connected with the chest of the Sphinx. Discussion during the conference led to following solution:
1- To restore the chest with chemicals that could stop the flaking of the Sphinx chest.
2- To reconstruct the chest with masonry The second solution discussed above can not apply to the Sphinx because we do not know what the chest of the Sphinx looked like. In ancient times, we can not add stones because we should not reconstruct. The Sphinx is a ruin and we should keep it as a ruin.
The other solution also can not be applied to the Sphinx because chemicals would not work well with the natural limestone. We found out that the best solution for the Sphinx’s chest was the following: 1- The lower part of the Sphinx was restored with stones.
2- All the middle, upper part and the neck were restored with mortar consist of lime and sand. On December 25, 1997, we took away the scuffling out and announced the final phase of the Sphinx restoration. But it is very important to note that the Sphinx is the oldest patient and we should stay near him all the time.

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